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Raye Draws
Raye Draws
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A femme figure appears as if lit from below by firelight; she stands in front of a solitary mountain, its single peak backlit by the setting sun, or the first rays of dawn - in this liminal space, it is hard to tell. The figure has cropped dark hair, a pale olive complexion, and she raises her right hand, palm open, which has a bright red-pink blistering burn wound. Her left hand gently grasps her right wrist, and her left pointer finger rests in the center of her right palm. She wears a classical white robe, her shoulders bare. On either side of her, serpentine chains dance on their own accord. The terminal link of each chain has been broken. On the mountain, in the distance, eight iridescent lights scale up the peak. Stars dimly twinkle in the liminal sky above.

Purgatorio (Anima Sola II)

A femme bodied person, illuminated by blue, pink, and gold light, wears steel plate armor and stands facing front, eyes gently closed and head slightly turned into their own hand, which is caressing their face. They have medium brown skin and black hair, and entwined in the fingers of their hands are devotional beads. Around their head is a circular halo, upon which is written “I am the angel and there is no other.” Within the halo there are many lush flowers, and these flowers surround and caress the head of Joan. There is prismatic light suffusing the scene with a background of subtle indigo, and small, graceful, glowing motes of dust, or stars, or glittering orbs of violet and golden and chartreuse light, surrounding the figure.

The Ecstasy of St. Joan

A painting by artist Lauren Raye Snow called “Home.” A female presenting figure in the foreground, ambiguously young, with an olive complexion, orange-red lips, flushed cheeks bordering on burning, dark hair in braids, dark brown eyes, and a slender build, wearing a black satin fantastical confection of a dress, like a nun turned into a gothic cupcake. In the background a giant thunderhead looms heavy and foreboding in the turquoise-blue sky, itself bright and unnaturally orange. Flanking the woman in the background are two live oaks barren of leaves, and the ground is green but singeing a yellow-brown from the extreme weather. The woman clutches an armadillo, like a precious relic, or as Mary to a baby Jesus; her face is ambivalent, tense, afraid, sad. She is crowned with the blown out wildflowers native to Texas.

Home

A glowing milky-pink cocoon hovers on a background of midnight blue. Out of the cocoon emerges the head of a girl, with white blond hair that tumbles gently over the cocoon and blue eyes. She looks pale-sick with an element of quiet, dreamy shock, her dark lips softly parted. A white Apollo butterfly lands on her cocoon, the crimson dots of its wings hovering over her neck, which is faintly visible from through the cocoon's weird, skinlike membrane. Glowing veins pulse at the cocoon's base, and a shocking pink light illuminates the cocoon's opening.

Becoming

Colleen by Lauren Raye Snow

Colleen

Anima Sola I

Gothic illustration of woman with ravens in her hair, titled "Plumage"

Plumage

A Haunting Too Close to the Heart

a young Mexican woman pointing to her heart, which is exploding out with lightning

Finding

Sublimation

Crown of Elfenbone, a Klimt-esque painting featuring a woman with bright orange-red hair surrounded by ghostly skulls and snakes, crowns herself with a diadem of of baby's breath

Crown of Elfenbone

A painting of Daenerys Targaryen

Fire and Blood

Nepenthe’s Kiss

Poster inspired by a new adaptation of Dylan Thomas's "The Doctor and the Devils".

The Doctor and the Devils

A Mexican-American girl flexes her arm muscles.

Se Fuerte

Digital portrait of Mary Ann with purple glowing mist.

Portrait of Mary Ann

Digital pastel sketch of Lacy Rose in a red jumpsuit.

Lacy Ouroborial

Mercurial

Two of Lights

Copyright 2020 Raye Draws. All Rights Reserved.
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